Play media Two Western lowland gorillas at Ueno Zoo displaying prominent belly and buttocks.
It was highly useful for me and was a big influence on helping me get through writing critical analysis film papers. I still find it very interesting and relevant even after graduating and it will hold a place on fondness on my bookshelf.
Very interesting and informative, with good formalist essay examples and research tips. He talks about varying sentence length, but then gives strategies for editing these problems out, and also addresses the tendency of some people to be excessively report-like in their writing, which is a personal pet peeve of mine.
Sure to be of even more help for undergraduate students and the average reader interested in doing some more work in and around film and film studies. My responses are mixed as well. It is true that Corrigan tends to wax a bit loquacious, letting wordy and meandering discussion often obscure the really important things he has to say.
The book is divided into seven chapters: Appendices include a list of common editorial symbols, a glossary, and an index. Notable changes to the seventh edition include some helpful advice about documentary and avante-garde films, an expansion of the internet resource section, and more information about film sound.
These are all welcome and significant enhancements. There is a lot of sound advice in the text, and the sample essays are particularly helpful.
But the book tries to do too many tasks at least three big ones and consequently, it does none of them as well as it could--or should. Third, the text is part film writing primer. This is the task on which Corrigan should have limited himself, given the obvious desire to keep the book small, and this is the aspect of the book that works best.
Unfortunately, effort and space wasted on the other two tasks unnecessarily restrict what Corrigan does on this score. For example, his discussions in the first and fourth chapters of different approaches to film criticism and of different kinds of essays about film are each limited to a few meager pages.
But these are the very subjects his book should have addressed in greatest detail. So, for the time being at least, while this may be one of the best available books on writing essays about film, it has its share of problems.
It is thus almost as disappointing as it is helpful. I contribute to the blog for the movie ranking website Flickchart. After all, who was I kidding? This seemed a handy starting place for improvement.
The entire last chapter is dedicated to manuscript form and issues of margins and spacing, etc. Although, in fairness, if I a freshman film student, I probably would have found the book engaging and encouraging, and I certainly would have appreciated author Timothy J.
Timothy Corrigan, in the preface to "A Short Guide to Writing About Films, sixth edition," says, "Writing essays about films is, in short, one of the most sophisticated ways to respond to them."/5(5). Download-Theses Mercredi 10 juin Timothy Corrigan's Short Guide to Writing about Film was actually a pleasent read- even outside of the classroom. Good examples of classic film medias, great knowledge behind the statements presented.4/5(79).
Corrigan for not trying to intimidate me. InI reviewed for Flickchart after attending a preview screening, and I found that I had a difficult time really figuring out just how strongly I felt about its pros and cons.
That led me to ending my review by including a section of how that movie entered my Flickchart, walking the reader through a series of head-to-head matches that allowed me to comment on the merits and how appealing they were of both films.
I really dig that section, and it instantly became a staple of all my reviews for Flickchart as well as all my personal movie watching diary entries on Letterboxd. I feel that section gives the reader a whole lot more context for both the review and reviewer than is typically found in movie reviews.
Short, sweet, and pretty helpful when it comes to writing about film. Jon Two stars might be rather unfair to this book.
It is probably better than two stars - for someone else. But I did not think this book really taught me anything I did not already know.
The questions it gives to help people analyze a film would be useful to someone without any real experience with analyzing and writing about film, so I guess the book does just what it intends to do:Rent A Short Guide to Writing about Film 9th edition () today, or search our site for other textbooks by Timothy Corrigan.
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The digit and digit formats both work. A Short Guide to Writing About Film (Short Guide Series) by Corrigan, Timothy and a great selection of similar Used, New and Collectible Books available now at webkandii.com Film terms as defined by Timothy J. Corrigan in Chapter 3 of A Short Guide to Writing about Film and Mr.
Rayes' handout. What will reader get after reading the online book A Short Guide to Writing about Film (9th Edition) By Timothy Corrigan? Actually, as a reader, you can get many lessons of life. Actually, as a reader, you can get many lessons of life.